The kindness and respect this character showed Eliza was a welcome oasis to the treatment she received from her cold linguist teacher. The role of the stuffy Colonel Pickering was arrogantly performed by Richard Buswold. Still, Potts plays the enamored suitor well and has good chemistry with Eliza. His voice is solid but I would like to see gesturing while he sings “On the Street Where You Live.” There’s a great opportunity for him to express himself with his arms, yet they remained glued to his side while he strolled and sang.
Megan Brady and Bonnie Ann Buswold created the ladies’ elaborate hats that an opulent touch and helped to underline the huge difference between the social classes in Edwardian England.įreddy, Eliza’s suitor, was sonorously sung by the strong tenor Cameron Potts. Especially splendid were the black and white gowns and suits worn by the snobbish onlookers in the horserace scene. Costumer Nita Cadenhead styled flowing and effective costumes. Brava!Ĭostuming of both the sumptuous gowns and the plain lower-class garb added immensely to the flourish of the big chorus dance scenes.
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Still, McWhorter did a fine job of “Get Me to the Church on Time” with the support of an excellent chorus who danced him to the dreaded marriage with steps of great fun and encouragement.Ĭhoreographer Amy Jones created vivacious dances and obviously knows how to corral a bunch of Texan community theater actors to fly about the stage with flurry and precision. He had enthusiastic and playful acting skills, but also received laughter due to his drawl repeatedly leaking into his Cockney accent. The actor who played Eliza’s sponge-loading, drunkard father Alfred Doolittle was Tom McWhorter. Pearce, played beautifully by Mary Hanna who never dropped her brogue accent and tilted her head in subtle quizzical expressions that were marvelously effective. She captured the spunk of the flower girl turned proper lady brilliantly.Īnother notable character was the maid, Mrs. Hollis has a strong soprano voice, delightfully expressive facial expressions and supreme comedic timing. Graner played the role for the Artisan in the past and returned to present it solidly again. This satisfaction is due to the acting and relatively strong singing of both of these performers. The pompous Henry Higgins admirably played by Stan Graner, calls Eliza, superbly played by Amanda Hollis, “deliciously low” and “horribly dirty” and even suggests he may “throw the baggage out.” The audience was charmed and delighted. The Artisan delivered a complete package of entertainment!
The cast, crew, costumes and set were simply quite strong in this production and reeled in theater lovers with ease. The abundantly sexist and degrading comments made by men are overlooked and even applauded in this show.
The themes are as relevant today as ever: class distinction between the rich and poor, men dominating women and women pushing back, lack of commitment in an absentee parent, Britain’s relationship to America, and the basic theme-what does one actually need to have a life that’s “lovely.” All of these elements for this story set in England were embraced and lauded at the 195-seat theater-in-the-round in this little ‘ol Texas Theater that’s been around for 15 years. Perhaps this miraculous musical’s never-ending popularity is due to the unexpected plot turns, boisterous characters, catchy tunes, and elaborate costuming possibilities. Yes, the riveted viewers filled to capacity the main stage theater to take in what some have dubbed the “perfect musical.” The beloved show is based on George Bernard Shaw’s “Pygmalion” and set to Lerner’s witty lyrics and Loewe’s memorable music.
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This included one in Hurst, Texas-the Artisan Center Theater which was chocked full of an eager audience on opening night. In the modern day world of 2017, audiences remain thrilled to watch a man teach a woman how to speak proper English to be accepted as a lady in “My Fair Lady.” Evidence to this are packed houses around the world for this popular musical for more than 50 years. Associate Critic for John Garcia's THE COLUMN / Texas
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