This is a paid plugin for around $200 and too expensive for the students I teach, but I discovered that using the demo version is not time-restricted. I've since been experimenting with the Nablet plugin to solve the problems of bringing in Arriraw into Avid. I had thought that the ALE might also populate the source file info, but sadly it didn't. The fix here was to export an ALE from Resolve and merge this into the bin info in Avid. We also had discussions about other metadata that didn't come across, like take/slate numbers. It was an assistant editor who first pointed me to the 'Resolve reel name' fix as an alternative way to make sure I could relink in Resolve. FFmpeg is a powerful command-line conversion tool for Windows and Linux. It was when I needed to bring in Arriraw that I turned to Resolve and discovered the source file info wasn't coming across. This works very well and I've never needed to make tape names - which does actually remove the source file names in the metadata. I've always preferd to use MC to link to my camera rushes and transcode to create proxies.
#SHUTTER ENCODER WINDOWS 10 SOFTWARE#
I'm always conscious of how newer versions of software can sometimes change or break an established workflow, so the method I mentioned was (I think) carried out on Resolve 17 and MC 2018.12.15. I do not use reel names in my MC projects but now I am curious with this as to whether using the standard Resolve deliver template directly into an empty number only named folder in your media setup retains the file name info data in the metadata.
Upside Reel based labelled bins with source string-outs and reel clips arranged by source times. Downside may affect some data based searches. Then in MC open each AAF source timeline into it's own new bin and label each bin with the the reel name and date.
#SHUTTER ENCODER WINDOWS 10 FULL#
It allows for exporting my offline AAF, with out media, that uses file names Resolve understands and will directly back to the original full resolution media.įWIW after giving this some thought this morning, when or if I needed Reel info in MC I would start by creating a new Resolve timeline for each reel. Shutter Encoder is an video, audio and image converter based on FFmpeg and other great tools.It has been designed by video editors in order to be as. It equates to the original very reliable MC file import process and benefits from MC's indexing of the it's own media folder. I use the method above as my only media input for MC. I've found this to also be the case with Davinci Resolve, when you use it to make Op Atom files - the source file info gets lost from the metadata.Hi Bruno M, I do not use reel names in my MC projects but now I am curious with this as to whether using the standard Resolve deliver template directly into an empty number only named folder in your media setup retains the file name info data in the metadata.
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